2008 Pontiac G8 GT - The First Test


2008 Pontiac G8 GT - The First Test
2008 Pontiac G8 GT - GM High Tech Performance Magazine

The Specs
StockTuned
E.T.:13.6313.16
Mph:101.41106.68
60-Ft:2.082.05
Dyno:263/275276/286

General Feature
Make no bones about it: GMHTP is hot for the new G8 GT. Gen IV horsepower, pushrod torque, and a good trans? Us GM lovers are used to that. But 361 ponies and a six-speed auto, installed in a solid and capable chassis and wrapped in sexy bodywork-with enough room to hold five adults-is definitely a new variation on Pontiac's "excitement" credo. I like it, I want it, I need to test it.

So when new Super Chevy editor Mike "Focaccia Bread" Ficacci wandered into my office to let me know that he was picking up a brand-new G8 GT, we immediately devised a plan of action: first, baseline drag testing at Raceway Park. Next, dyno testing. And finally, a tune and another track test-this time against a Mustang to make things interesting.


Photo Gallery: 2008 Pontiac G8 GT - GM High Tech Performance Magazine


Celebrity Drive: Legendary Grateful Dead front-man Bob Weir jams in a hybrid Lexus, loves his '63 Stingray

Celebrity Drive: Legendary Grateful Dead front-man Bob Weir jams in a hybrid Lexus, loves his '63 Stingray
Legendary Grateful Dead front-man Bob Weir jams in a hybrid Lexus, but saves the love for his 1963 Chevrolet Corvette Stingray - Celebrity Drive - Motor Trend

Quick Stats: Bob Weir, founding member of the Grateful Dead
Daily Driver: 2007 Lexus GS 450h (Bob's rating: 8 on a scale of 1 to 10)
Other car: 1963 Corvette Stingray roadster (rating: wants to be buried in it)
Favorite road trip: San Francisco streets with Beat legend Neal Cassady
Car he learned to drive in: A tractor
First new car bought: 1969 BMW 2002

Bob Weir may be the folksy vegetarian-Birkenstock-wearing founding member of the Grateful Dead, but he is all about new technology when it comes to transportation choices.

It seems a paradox for someone who is indelibly part of the ultimate jam band that helped define the Hippie movement. But it makes sense for Weir, whose concern for the environment has made him go hybrid with a 2007 Lexus GS 450h.

Because the hybrid doesn't come with a manual tranny, this is Weir's first automatic. It's somewhat surprising, since Weir lives on the slopes of Marin County's Mt. Tamalpais, where even a small errand involves a trek up and down the mountain.

"The drivetrain is such that you can't really put a shift in it -- it doesn't shift, it's a hybrid -- it's an electric motor, and the electric motors do what they do," Weir says of his car. "Their torque curve is immense. The torque is just there."

It took Weir a year to get used to the automatic. "I felt distracted all the time -- is there something I should be doing here? It rendered me a dangerous driver for about a year. I'd come to the point where you'd expect to have to shift and there was nothing to do."

Weir gives his car an 8 of 10 rating and not a perfect 10 because of the gas mileage it gets. "It handles very well, I've been driving Beemers for most of my life, and it's not far shy of that, it really isn't, but it doesn't get the gas mileage I was hoping for," he says.

Weir notes he gets about 20 mpg. "I live on a mountain, so the hybrids don't start really happening till the engine is warmed up. So I get up in the morning and I head out, and the engine isn't warmed up until the time I get down into town. That's a couple miles of downhill without the benefit of a warm engine. So it doesn't get the gas mileage going down the hill and coming up the hill. It's a big heavy car."

But the sound system in the luxury sedan gets high marks from this musician. "It's got all the creature comforts," Weir says, underscoring the word. "It's got a great sound system," he continues. "It's tomb-silent inside when you're driving, so if you're listening to music, you can get all the way into it."

Corvette Stingray Roadster
The car Weir absolutely loves doesn't get out of the garage much these days. "The car I'll probably be buried in is the '63 Corvette Stingray Roadster," Weir says dryly.

"I'm an environmentalist, which is why I don't drive my Corvette all that much. I wish I could, but my heart's not in it anymore, though I do expect to be buried in it. The funeral I imagine would be on a beach, with me in the car on a barge carrying a couple hundred gallon pounds of gasoline and a small case of dynamite and the barge sets out."

"And I want bare-breasted virgins firing flaming arrows at the barge," Weir chuckles. I play along -- you really want to blow up that beauty of a car? "Yeah, I want a fireball and that'll be that. But I have to rethink this because of environmental consequences. I don't want to kill a bunch of fish."

The old Stingray was showcased in an exhibit of rock stars' wheels at the Petersen Automotive Museum seven years ago. "There were all these cars that you can actually shave looking at yourself in one of them -- and then there was mine," Weir says.

"They perched it right at the entrance. When they picked up the car, I told them if they washed it I'd have their asses in court. Because that's not the way the car is supposed to look, as far as I'm concerned. It's a number of shades of primer gray on top of the old -- I don't know what color it used to be -- but it's dark and dusty, and I kind of like it like that. It was the only car that had a picture in all the articles. I love the car, it's a great car."

Weir bought his resplendent Stingray during his Grateful Dead days, paying $3500 for it at an auction in 1976. "I saw one with one headlight, punched out in several shades of primer gray, and I decided I needed a sturdy, dependable American-built second car. I started looking and I found this one. Then I had the engine and running gear balanced and blueprinted. It's fuel-injected, a rocket-powered slingshot."

But in view of Weir's environmental concerns, he won't take it out much. "It burns a whole lot of gas, and I've got to be conscious of that." But when he does take it out, his two daughters love it because it sounds like a tractor.

Weir has fond memories of times in the Stingray back during the Dead days. He used to drive to rehearsals in nearby San Rafael with his dog Otis (named after Otis Redding) in tow.

"I had a dog at the time, a Norwegian buhund -- he was a big, tan, fluffy German shepherd, and we had antagonistic relationship," he laughs. "I'd be driving and he'd be sitting shotgun, and we'd be in traffic and he'd bark at me. And we'd go back and forth nittering and nattering and a van full of stewardesses -- back in those days a lot of stewardesses lived in Marin County -- would be looking out the window down at us, looking at me and him going back and forth. We had a wonderful relationship, we were the best of buddies. He came to rehearsal and we'd mess with him."

Car he learned to drive in
Weir grew up in the Bay Area but left home early and wound up in Wyoming. "I learned to drive on a tractor on a ranch out in Wyoming," Weir says. "When I was 15 years old, I thought it would be a terribly romantic thing to do -- to run away and be a cowboy. I don't know how romantic it was, but I did it. The only honest work I've ever done was cowboying. Most of what I did was drive a tractor and rig hay for haying season."

It was easy to transfer his tractor driving skills to a car. "It had a clutch, it had a gearshift, it was gasoline-powered," Weir says. "Then I graduated from that to a Ford Bronco. I guess what you'd call an SUV now."

First car bought
A year later, Weir moved back to the Bay Area and started playing with the late Jerry Garcia. Their band would become the Grateful Dead. "We started off as a jug band, a full blues outfit, and over the next year and half we morphed into a rock 'n' roll band -- it was an acoustic folk-blues band," Weir says.

Living in San Francisco during the early years of the Dead, Weir didn't need a car. He was so busy with the band, he didn't get around to getting a driver's license until he was 20. His first car was a used Mercedes-Benz 220.

Weir converted to BMW after buying his first new car, a 1969 BMW 2002, right before the band's "Working Man's Dead" album came out.

"We started having some success, and I could afford a new car. I bought a 2002," Weir says. "It was a good car -- it handled well, it had pretty close to 50/50 weight distribution, and I had it sideways a lot, but that was the fun of it. It was just nice to have a really good car. I live in central Marin, and the roads going out there are all mountain roads; and it just chewed them up and spat them out."

He had the BMW 2002 for only a few years. "I was way on the road, and a friend of mine borrowed it and wrecked it, so that was the end of that one. He couldn't handle it. It was a hot car."

Best car ever bought
Weir later bought a 1974 BMW 2002tii, which he considers the best car he ever bought. "It was built light and strong and had fuel injection, which was a big plus back in the day. I didn't have room in my driveway -- I'm still kicking myself for not having hung onto that car. I sold it in the late 1980s. I had it for 14 years. It was a rocket-powered roller skate."

Worst car ever bought
Around 1990, Weir bought a Saab and, although he doesn't remember what model it was, he knows it wasn't for him. He had it for a year and a half.

"The worst car I ever bought was a Saab, and it wasn't a bad car," he says. "It was a good car, but it was front drive, and I don't know why I ever went there -- I'm used to compression braking and you do that in front drive and you're sideways right now. It was a solid car, well built, but I can't get with front drive. I went to Beemers right away."

Before his hybrid, racing around the hills of the Bay Area in a sports car with a manual tranny never bothered him. "I love it, I love to drive," Weir says. "It's a different day now -- you have to think about gas consumption and all that stuff. And now I have a couple small children and I have to take safety into consideration, which I never really did back then."

Favorite road trip
Weir doesn't know if he has a favorite road trip, but during the Dead days he often drove to Pinedale, Wyoming, where his songwriting partner, John Perry Barlow, lived. The two wrote together for the Dead during the 1970s and 1980s. "I learned that Nevada looks best in the rearview mirror," Weir says of the drive.

On the road (or streets of San Francisco) with Neal Cassady
One memorable trip of a different sort occurred during the halcyon days of San Francisco's psychedelic era in the 1960s. Weir recalls with fondness some time he spent in a car with Neal Cassady, an icon of the Beat generation.

Cassady was friends with fellow Beat legend Jack Kerouac, who wrote the seminal American novel, "On the Road." The book, in Kerouac's stream-of-consciousness style, was based on their travels, with Cassady as the wild driver Dean Moriarty. In the 1960s, Cassady also drove the bus for author Ken Kesey and his Merry Pranksters.

Beyond being the tale of a great American road trip, "On the Road" has become a bible for countless artists, poets, and musicians, including Weir. Cassady inspired Weir to write two Dead songs -- "Cassidy" and "The Other One" with his lyrics, "There was cowboy Neal at the wheel of the bus to never-ever land."

"Truman Capote says of Kerouac's writing, 'That's not writing, that's typing,' Weir laughs as he mimics Capote's high-pitched voice. "But it rang my bells. It inspired me to leave home for good -- to pursue music. Cassady was quite a figure in American history. Jack Kerouac became enamored of Neal Cassady and rightly so. I won't call him a saint, but he was something."

While "On the Road" had a profound effect on Weir, when he met the book's hero, he wasn't so much starstruck as he was intent on taking it all in. "I got over it pretty quick because every moment was new and fresh," Weir says. "I wasn't busy thinking this was a big deal; I was busy just in wonderment of what was happening."

The depiction of Weir's drives with Cassady sounds familiar to Kerouac fans -- like a page ripped right from the book. Cassady drove a maroon 1964 Oldsmobile F-85 with a V-8 named George, while Weir rode shotgun, careening through the streets of San Francisco. The car belonged to Sue Swanson, a high-school classmate of Weir's, who became the first Deadhead and worked on and off for the band for 30 years.

There was a superhuman quality about Cassady when it came to driving through crowded city streets that amazes Weir to this day. "He defined the term synchronicity -- he was at all places at all times and right here at the same time. I used to ride around the city with him in San Francisco, and he could drive through rush hour traffic at 55-60 miles an hour, never stopping for a red light, never stopping for a stop sign, the wrong side of the street, on the sidewalk, all that kind of stuff. Never hit anything. And he could see around corners."

Long before "multitasking" became vogue, Cassady was king of multitasking in the car. "And all the time he was driving, he had one hand on the wheel, one hand feeling up his girlfriend in the middle seat, and one hand playing the buttons on the radio," Weir says. "What he would bring on the radio -- it was a dialogue with what was going on in my inner voice, and he was aware of all that."

It raises the question of whether he learned a thing or two during those drives with Cassady. "Yeah, I learned something from him," he replies. "The radio had a dialogue with my inner voice. He'd punch the buttons and stuff would come out and it was coherent. Deep stuff."

Automakers going green
Out of concern for the environment, Weir is eager to support automakers' eco-friendly efforts. The new hydrogen-powered Honda FCX Clarity, which promises zero emissions, has caught his eye. It just became available for lease and is limited to 200 Southern California drivers for the first three years. "I want cars to be environmentally friendly, and I'm trying to do that. I guess Honda is already advertising its fuel-cell car. As soon as that rolls off the line, I'm going to get one."

Two wheels versus four wheels
After the death of Garcia, the Grateful Dead retired that name out of respect for their leader, and these days Weir leads his own band, Ratdog. While stars want to plug their latest commercial project, Weir brushes aside talk of the band and its summer tour. Instead, he wants to discuss another project he's passionate about.

In an effort to go greener than his Lexus, he offers up the utilitarian mode of bicycling for things like errands or work. "I would really love to see zero sum transportation," he says.

"There are a few human hybrid electric bicycles that I'm looking into," Weir explains. "That means you pedal and you also have a battery and a little dynamo, and when you go downhill, when you hit the brakes, it charges the battery. I can't remember the name of the hybrid bike, it's a $7500 bike that looks like I'm going to have to get it. I'm researching that right now. That's where I'm going."

Weir hopes fans will follow his lead. He already owns a road bike and mountain bike and will continue to ride off-road for fun, especially since the sport began in that area. While he does get recognized riding, Weir says, "There are no heroes in your own backyard."

But using his bike to run errands is another issue. "I live two miles up a hill. You know, I'm 60 years old, and I don't want getting home to be a horrendous huff for me. I do ride a bicycle and I do ride it up hill, but it's a lot of work. So I designate that as my workout, but I'd like to be able to just get around on one."

Weir, who reads car magazines such as Motor Trend and understands car enthusiasts' need for that Sunday drive, hopes they become more conscious of their environmental impact. His sister-in-law is Lelani Munter, a racer in the Indy Pro Series. "She's an environmentalist, as well," he says. "She's trying to get car racing to go green."

A couple times, Weir almost bought a BMW motorcycle, but it was almost as if some greater force kept him away from that purchase, nudging him to stick with cars and bicycles.

"I'm the kind of guy who shouldn't have a motorcycle," he says. "I've always wanted one. I have a good friend in Colorado who's an emergency room doctor. He ran an ER in Denver for 20 years. I'd get a royalty check that would come to my home rather than my office -- this happened on a couple of occasions and I'm looking at a check and I'm thinking, 'Okay, I'm just going to take this check down to the BMW place.' I'm on my way out the door -- this happened twice -- the phone rings and it's my friend, Charlie."

"He's just calling to catch up. At the end of the chat he'll say, 'Now you haven't been thinking of getting a motorcycle again have ya?' And then I'd have to tell him, 'I was just on my way out the door,'" Weir says, chuckling throughout the story. "He says, 'Here in the ER, we call them donor cycles.' 80 to 90 percent of the worst stuff he sees in the emergency room is motorcycle-related. And that'll cool my jets for a while. He's saved my life on numerous occasions with just a quick phone call."

As I thank him for this rather lengthy car chat, Weir replies in his folksy manner, "Well, you know, I've got some stories to tell."



1999 Daewoo Lanos SX - Howler From Down Under


1999 Daewoo Lanos SX - Eaton Supercharger - Super Street Magazine

There are crazy kooks running amuck in Australia, no doubt about it. Our first and only clue: this supercharged '99 Daewoo Lanos. It was built from the ground up (including the custom supercharger and interior) by our lager-swilling cohorts from Fast Fours and Rotaries with the sole intention of giving it away. First of all, why even try? And second of all, why even try? That would never fly over here. No way, man, not in a long shot. All that work just to be thrown at some lazy-ass rat-faced bastard for doing nothing? Screw that.

Let's tackle the first obstacle. It's a Daewoo. C'mon, I mean, even the lowly Kia owners tease the Daewoo guys at the lights. And even if you wanted to own a Daewoo in the States, there's the problem of actually locating a dealership, or at least one that's still in business. Are the cars really that pathetic? Well at 105 hp, a 0-62 time of 10.36 and a quarter of 17.71 at 79 mph (all numbers from the blokes at Fast Fours), you be the judge (and you don't have to be a good 'un).

The madness all started in February of 1999. It was called Project Howler for reasons we'd rather not discuss at this moment. Fast Fours toiled over 8 months-from sketch to completion-to construct the beast. The total retail cost of the buildup is $56,382 (Aussie), which is equivalent to a little more than five bucks (Hey, I've got that in my pocket! Oh, wait, no I don't.-JW). Ever wonder where to start off with a project car? Here ya go. Fast Fours was good enough to walk us through the entire process.

The first step was taking care of the wheels, tires, and suspension. Eighteens and 215/35s proved too big due to offset and space, so the mag went with 17x7.5 MOMO Racers and 215/40R17 Dunlop W-10s.K-Mac designed 2-inch lowering springs just for the car, and Koni was called upon for its Yellow Sport adjustables. Even at this point, the Daewoo was starting to look like a different car altogether. Not quite the Howler yet, but definitely scratching its voice.

The interior was next. And Fast Fours shot for the moon. The Recaro seats were restitched in red and black, and the back bench was retrimmed in the same scheme to match, then padded for comfort. MOMO shift knob, steering wheel, and pedals add styling and driveability to the car. And the dash was painted red to complete the cabin. Well, almost

How complete can a cabin be without the proper sound tuning? We're talking stereos, mate. And Fast Fours wasn't fooling around. The mag went straight to Sony for the company's latest Xplod gear. There was room for a double-DIN-sized unit, so in went a Sony CD/tuner and tape player, complete with DSP, EQ, and SA. The whole stereo setup took three long weeks to finish. Custom door pods were crafted for the 6-inch two-ways, and a false floor was placed in the trunk for the 10-CD changer and subwoofer box. Car Sound and Image gets credit for the work. But only call them if you're in Australia or don't mind spending boatloads in freight.

Fast Fours saved the toughest part for last: the engine. At first, the magazine wanted to keep things simple-you know, intake, exhaust, a little head porting, and some cammies. But then the supercharger offer came along, and everything went out the window. It took three more weeks before the blower was fitted onto the engine. The main change was moving the air-intake box from the left side of the engine to the right. The battery was removed, and now that's where the airbox resides, and the water injection system is where the airbox used to sit. The switcheroo works because the battery was swapped out for an Odyssey, which is half the size of a normal battery.

The chip was retouched for more torque and a slightly higher rev range. After some added nip and tuck with the engine (a Hi-Tech header and exhaust), horsepower numbers jumped all the way up to 177. Zero to 62 is now at 7.29 seconds, max speed at 130 mph, and a quarter-mile of 15.29 at 91 mph (again, all test numbers courtesy of the true believers at Fast Fours).

With the important things finally out of the way, the magazine set its sights on beauty. Modeled after the Corolla World Rally Championships car, GS Motor Bodies created custom Mugen-style sideskirts and front and rear bumpers, which are plays off the original factory molds. Graphics added the finishing touch, and the car was all set for the giveaway. We don't know who won yet, but we're still hoping Fast Fours decided to keep this one for itself.

Fast Facts
Owner Fast Fours and RotariesHometown New South WalesRide '99 Daewoo Lanos SX

Under the Hood 1.6L 16-valve DOHC, Eaton supercharger, larger injectors, water injection system, reprogrammed ECU, 9.5:1 compression ratio, K&N air filter, Hi-Tech mandrel-bent stainless steel 4-2-1 header, 2.5-inch exhaust and polished muffler with 3-inch tip

Stiff Stuff Koni Sport adjustable shocks with custom-made K-Mac 50mm lowering springs

Rollers 17x7.5 MOMO Racer wheels, 215/40R17 Dunlop W-10s

Stoppers DBA-Sport rotors, Bendix Ultimate pads, SPV ADR-legal braided lines

Outside GS Motor Bodies Howler body kit incorporating front and rear bumpers, sideskirts, wing & bonnet vents, 35-percent window tint

Inside Recaro front seats, rear seats reshaped, full retrim, including door panels, Momo Race Air Leather shift knob, Tornado steering wheel, Tuning red/silver pedal kit, custom red dash

Ice Sony WXC-770 head unit; CDX-727 10-disc CD changer; Xplod M-604EQX amp, 6-inch components in front, 6-inch two-ways in rear, and two 10-inch subwoofers in trunk; Dynamat damping sheet

Props GS Motor Bodies in Australia

2000 Trans Am WS6 - Satin Super Car

2000 Trans Am WS6 - Satin Super Car - High Performance Pontiac Magazine

Everyone's definition of a street car is different. Not many would imagine that a Pontiac capable of 10s at the strip could even be street-legal, but this one almost is, according to its owner. Keith Alvarez, a 40-year-old metal fabricator from Tampa likes to think of his '00 Trans Am WS6 as a pure street machine. What's more, he says he drives it to work, a 60-plus mile round trip, several times a week. "I think one of the best parts about owning a car like this is being able to drive it on the street," says Keith.

He has loved and worked on cars since he was a young boy. "I always wanted a late-model to build as a race car, but I could never afford one. So when I had the chance in January 2000, instead of buying a practical family car like I was supposed to, I brought this car home," he recalls. Needless to say, his wife, Paula, wasn't too happy at first, but over the years she has warmed up to the car, and has been supportive during the build up. The new Trans Am, complete with the WS6 Ram Air package, was painted in Navy Blue Metallic and had all the options.

Drivetrain
Keith immediately began to create his dream car. He started small, adding the simple bolt-ons, but that soon made way for more power. He built his original combo, a 408, with the assistance of Greg Lovell from Anti Venom in Seffner, Florida. The iron block was filled with a forged Eagle rotating assembly and was topped off with a set of CNC LS6 heads. Then he injected a ridiculous amount of nitrous into it. A standard LS1 5177 dry nitrous kit from NOS was installed for an additional 150 ponies. Soon thereafter, Keith was able to procure a trick Fast 90mm intake manifold with a direct-port wet nitrous system modified by Al Jones of Tampa. When this second stage was activated, it forced an additional 200 horsepower into the Bird. It was enough power to send him into the 9s in the quarter-mile.

Early on, the stock 4L60E was rebuilt by Chris Mowris and Fernando Rosales at Transmission Physicians in Tampa. When Keith stepped up his game, he contacted them once again to build him one that was more suitable for repeated track use. This time, he went with a transbrake-equipped Turbo 350 with a 4,500-rpm stall Vigilante torque converter and manual valvebody. It's controlled by a TCI Outlaw shifter, and a B&M cooler keeps the temperatures down, reducing wear. Surprisingly, the stock steel driveshaft has been up to the task of repeated 1.35 short times on the bumper. Delivering the grunt to the pavement is a 3.73-geared Moser Ford 9-inch rear end with a Tru-Trac posi.

Chassis Upgrades
Along with the stout motor, Keith built the chassis to support the thrashing. The factory upper and lower control arms are attached to a BMR tubular K-member that sheds some weight off the front. QA1 adjustable struts and springs give him the ability to fine-tune the front suspension behavior and dial-in the weight transfer.

Out back, the factory control arms were replaced with billet-aluminum Metco pieces attached to a set of relocation brackets that Keith fabricated himself. QA1 adjustable shocks and generic lowering springs were used to control the amount of stress the Mickey Thompson 325/60-15 Drag Radials receive. A BMR Extreme Drag Sway Bar forces the Trans Am to launch straight with no fuss, while BMR subframe connectors and a TCI Outlaw 4-point rollbar keep the chassis from turning into a dishrag from the torque. A BMR Extreme torque arm also prevents the torque from being absorbed into the chassis and is adjustable for pinion angle.

The stock brakes have been modified to accommodate the smaller 15-inch wheels. "I haven't had any problem with the brakes on the car. They have done the job that I needed them to do so I haven't felt the need to upgrade," explains Keith.

A Bigger, Better Powerplant
After a few years, Keith got the itch to try something new. "I wanted to see if I could get into the 9s on just the motor and no spray," he says. He talked with Phil Joyner of United Speed World in Tampa and they conceived the current engine combo.

The original aluminum LS1 block was the starting point for the 427. It was bored out to accommodate 4.125-inch bore Darton Sleeves and custom-built JE Pistons with coated skirts. The pistons use Hellfire Dykes-style piston rings from Sealed Power because they reduce friction, which frees up horsepower.

Fortifying the rest of the bottom end are 6-inch forged Eagle rods and a 4.00-inch stroke Lunati crankshaft. A Melling oil pump makes sure all the bearings are properly lubricated, a windage tray reduces oil whip off the crank to save a few ponies, and a Moroso pan holds the crude.

The solid roller cam from the previous motor was too extreme, even for the lofty goals Keith had set. He chose an "appropriately sized" hydraulic roller from Comp that he didn't want to go into too much detail about. "It measures around 265-degrees of duration and about 0.660-inch lift." He adds, "Greg was able to achieve a respectable level of streetability with the radical cam, yet it sounds vicious at any rpm." Manley valvesprings, Comp hardened pushrods, and factory 1.7-ratio rockers try to keep up with the radical valve events.

After a false start with another set of heads, out of sheer frustration with the length of the buildup process, he threw on a set of factory 862 5.3L truck heads. The stock 1.89-inch intake and 1.55-inch exhaust valves are retained. Compression is 13.5:1, so the idea of pump gas is thrown out the door, but 100-octane keeps the engine happy and ping free.

A custom Beck Mechanical Sheetmetal manifold and an Anti Venom 95mm throttle body were employed, but since the Beck intake was matched to the previous cylinder heads, Keith matched them himself. "This is far from an ideal setup, but the car is running better than it has ever run, even on the nitrous," he claims.

Fuel is delivered via an Aeromotive A1000 Eliminator pump into SVO 42-pound fuel injectors. The mass airflow sensor was taken out and the LS1 now uses a speed density system that's tuned by Greg. A set of MSD coils and wires feed spark to the NGK TR55 plugs.

To tame the sound of the huge cube motor, Keith built his own custom exhaust, beginning with a set of 1 3/4-inch stepped to 2-inch Kooks headers with 3 1/2-inch collectors. From there, a catless 3 1/2-inch Y-pipe leads to a Magnaflow cat-back. The decibel levels are manageable, and it doesn't garner any unwanted attention from the law. "Aside from having no cats, the car is fully street-legal. My wife even drives it. I just had to teach her how to use the shifter," he says.

Body
This Pontiac's appearance garners much attention. The factory WS6 hood was replaced with the more aggressive Suncoast Creations Ram Air hood that incorporates a K&N filter airbox and a cowl heat extractor.

Aldren Rodriguez of Sicbu Body Works in Tampa sprayed the Trans Am with two coats of Sherwin Williams satin Navy Blue Metallic. "I wanted to try something different with the paint. It actually gets more attention now than when it was shiny. It's been awhile, and I'm starting to miss my shine, so I think I'm going to spray it again," Keith says.

At The Track
With the Pontiac running stronger than ever, Keith takes it to the track as often as possible. In the eighth-mile, he's posted a best of 6.41 at 106 mph leaving off the transbrake at 4,500 rpm while shifting at 7,100 rpm. He runs in the 6.50 Class and True Street at NMCA events where he competes against "trailer queen" drag cars. At a 3,780-pound race weight, it's no feather-lite. He keeps his tire pressure at 40 psi up front and around 20 psi in the rear.

During the weekends you might even be able to find him at one of the meets for Mafia Motorsports, a high-performance car club. He would eventually like to take it out to the quarter-mile and see what it can do. If his eighth-mile times are any indication of its potential on the big end, he should be knocking on the door of the 9s and he says he has no problem driving his T/A to and from the track. Currently, it's only legal for 10s, but he has plans to make his car 9-second legal.

Conclusion
Keith says, "I love everything about the T/A and it's my dream car. There is nothing like spending all that time and effort on something and reaching your goals, and I was able to do that with the Trans Am." His best friend, Eugene Rodriguez, helped him throughout the build, and Keith states that the car wouldn't be anywhere without him. He also thanks his wife for putting up with the build-up of this bad Bird, too. "People said it couldn't be done with what I have, and I'm out doing it every week," says Keith. He has put in many hours to build one remarkable street-driven Fourth-Gen that's one scary brute. Though many municipalities may beg to differ, it seems we've learned Keith's definition of a street car.


2009 Mazda 6 - Sneak Preview 2008


2009 Mazda 6 - Latest News, Features, and Reviews - Automobile Magazine

We've always been fans of the Mazda 6's handsome looks and taut chassis. Our admiration, however, hasn't stopped all of the 6's competitors from focusing on space and comfort, so it's time for Mazda to play catch-up.

Unlike the current 6, the new car was designed specifically for the North American market. As a result, Mazda's mid-size four-door will be a lot bigger than its predecessor when it hits dealerships later this year. It also will boast a hefty bump in refinement.

The front end might look a little like a heavily Botoxed Bjrk, but we do like what's planned under the hood. The current 2.3-liter in-line four will be replaced with an all-new 2.5-liter unit producing about 170 hp. And fans of big, smoky, front-wheel burnouts will be glad to hear that the 3.0-liter V-6 is being dumped in favor of the torquey 3.7-liter from Mazda's CX-9.

YOU DIDN'T BUY ONE EITHER, HUH? While we've often recommended the Mazda 6 to our friends, few of them actually ponied up and bought one. Chalk it up to a lack of class-leading power and interior refinement and too-high levels of noise and harshness. The next 6 should give Mazda a greater foothold in the market but lose none of its edge.


2003 Chevrolet Suburban

2003 Chevrolet SuburbanMSRP:$37,050 - $41,550
Invoice:Get free pricing
Body Styles:4-Dr Utility
Engines:5.3L V8, 6.0L V8
Transmissions:4 Speed Automatic
Drivetrains:Four Wheel Drive, Rear Wheel Drive

Chevrolet Suburban boasts more than 40 major enhancements for 2003. The 'burb was completely redesigned for 2000, and this year's model benefits from major mid-cycle revisions.

Some of the changes can be seen, including the climate controls and a new family of radios, both of which are easier to use yet more powerful and more sophisticated than last year's. XM Satellite Radio is available, along with a new Panasonic DVD system for back-seat monkeys.

Other changes are harder to discern, but are more important. Dual-stage front airbags provide improved safety in an accident, while the availability of the StabiliTrak electronic stability control system lessens the chance of losing control. Adjustable pedals are available for an improved driving position. And an all-new electrical architecture promises improved reliability.

In spite of all these changes, the Suburban's mission has not wavered. It remains the first choice for anyone who needs to haul six or more people plus their cargo. Chevrolet Suburban offers a cavernous interior with seats that fold down for monster cargo loads. It's based on an excellent full-size truck frame and its V8 engines deliver strong torque for towing heavy loads. The Suburban provides a stable, comfortable ride for long-distance travel. And it's capable of going off road.

Suburban 2500-series models can be ordered with Quadrasteer electronic four-wheel steering for dramatically increased maneuverability in tight spaces and improved control when towing a trailer.

2008 Ferrari 599GTB Fiorano and 2008 Aston Martin DBS - Running Scared


2008 Ferrari 599GTB Fiorano and 2008 Aston Martin DBS - Latest News, Features, and Reviews - Automobile Magazine

In your dreams, you celebrate Spring Break in Maranello, Italy. You check out two of the finest stallions from Ferrari's stable, race an Aston Martin DBS similar to the one James Bond rolled seven times in Casino Royale, dine at glam restaurants, relax at a palace adjoining Ferrari's backyard. Then a dramatic miscue jolts you from your reverie and dots your forehead with icy bullets of sweat.

The dream turns into a nightmare as the day's drive ends with two hot, tired V-12-powered GTs ready for a rubdown and a feed bag. The rosso corsa 599GTB Fiorano is welcomed through Ferrari's factory gate as if it had just run and won the Preakness Stakes. But, when your colleague attempts to wheel the silver-ingot Aston Martin DBS out of traffic and into the paddock, pandemonium erupts. Your formerly cordial Ferrari host waves frantically and shrieks as if 007, wearing Team McLaren Nomex and brandishing an assault rifle, is laying siege.

Your dream is our Italian job. Except for that one awkward moment, Automobile Magazine's test of the world's top two automotive status symbols could not have fared better. Road test editor Marc Noordeloos and I came, we drove, and we solved the riddle prompting this mission: which brand builds the better grand touring sports car?

To achieve the desired revelations, every journey must begin at an appropriate genesis. In 1931, Enzo Ferrari's scuderia (racing stable) was just beginning to thrive. His new live-in garage was humming, his team had won more than a third of the events campaigned the previous season, and the relationship with benefactor Alfa Romeo was prospering. Ferrari drove the new Alfa Romeo 8C 2300 to victory at a minor hill-climb. But the next event, the Circuito delle Tre Province - a seventy-nine-mile dash over Apennine mountain roads - marked the end of Enzo's driving career and the beginning of the Ferrari legend.

At the Sestola checkpoint, Ferrari's Alfa 8C enjoyed a forty-second advantage over teammate and archrival Tazio Nuvolari driving a less competitive 6C 1750. Although his car was damaged, Nuvolari mounted a furious comeback on the final twenty-two-mile leg of the race. By flinging his roadster into bends and revving its twin-cam six-cylinder engine well past any sane limit, Nuvolari beat team manager Ferrari to the finish line in Porretta by a few seconds.

It was both a bitter denouement and an auspicious beginning. Ferrari retired as a driver to focus his energy on expanding his racing empire and manufacturing a few sports cars for wealthy patrons.

Twenty years after Enzo passed on to that scuderia in the sky, we revisited Porretta, located twenty-five miles due south of Maranello. The tight switchbacks that climb and descend the Apennine foothills, straighter dashes along the Panaro River, and a few high-speed squirts on the autostrada were ideal venues for studying how six decades of nurturing has advanced the Ferrari pedigree. Nuvolari's role was played by the Aston Martin DBS, the most powerful and sophisticated front-engine two-seater ever to leave England.

Aston Martin sold its first car in 1922, when Enzo's driving career was just getting started. The brand was early to adopt overhead camshafts, four valves per cylinder, and dry-sump lubrication - technology that we still consider modern.

The turning point for both marques came in 1947. Ferrari launched its seminal 125S sports car powered by a 1.5-liter SOHC V-12 producing all of 72 hp (factory literature lists output figures ranging as high as 118 hp). At Aston Martin, industrialist Sir David Brown arrived as neither the first nor the last financial angel to rescue the enterprise, kicking off a long run of DB models. The DBS badge first appeared in 1967, and one enjoyed a cameo role in the sixth Bond film, On Her Majesty's Secret Service.

Prices are appropriately astronomical for these two top-shelf road racers - count on a base price of more than $300,000 and a long wait to own the Ferrari versus about $265,000 and more ready availability for the Aston. Stripped to their shorts, they share the classic front-mounted V-12 blueprint consecrated by Ferrari sixty-one years ago and employed by Aston Martin since 1999. Countering the Ferrari's larger, more powerful engine, Aston brought a slightly lighter curb weight to this contest. While Ferrari skins its aluminum structure with exquisitely shaped aluminum panels, Aston uses both composite and aluminum skin over extruded-aluminum bones. The DBS's hood, front fenders, deck lid, and rear diffuser are molded in carbon fiber and clad with an ultrathin layer of fiberglass to mask the weave within. Whether you prefer the Ferrari's sensual curves or the more aggressively scooped and slotted Aston, every glance at this rolling sculpture zings your heart like a teenage romance.

Those wishing to enter the DBS's cockpit must first pass an admissions test. The door's outer edge rises as it opens, an Aston Martin eccentricity supposedly aimed at avoiding curb strikes. Some scrunching is necessary to clear the high sill, tall seat bolsters, and rakish roofline. The interior mood created by pinched window openings and a high center spine is slightly foreboding.

The more serious annoyances come next. The tach, as beautifully marked as an expensive Swiss timepiece, spins counterclockwise and lacks a redline. The handful of polished aluminum that tops the shift lever demands a strong wrist and a sensitive touch with just enough force to find the first-gear gate, but not so much that you bumble into reverse.

Then there's the ignition key, which looks and feels like a small cell phone. What Aston calls an "emotion control unit" (ECU) seems more like a tool of the devil. It will jam in its receiver if you accidentally stick it in backward, and it'll fracture a fingernail if you're not careful pressing it home. But the greatest nuisance is that the official starting procedure will cue the company's "Power Beauty Soul" gauge-cluster fanfare but not necessarily a whir of the starter and the vroom of twelve cylinders. If bank heists are your business, steer clear of the DBS.

By comparison, the Ferrari greets its driver with sincere hugs. Thanks to lower sills and a higher roofline, entry is a snap. The two 599s we drove on successive days were both equipped with the popular F1-SuperFast sequential-manual transmission, which clears the office of clutch-pedal and shift-lever distractions. Light-hued interior trim and ample glass impart a cheery interior ambience. But the warmest welcome comes from Ferrari's colorful analog and electronic display cluster, which sports a 10,000-rpm tachometer, a 360-kph (224-mph) speedometer, and a lovely drawing of the engine replaced by secondary gauges upon the completion of system checks. Another endearing touch is the optional carbon-fiber steering wheel that sequentially flashes five warning lamps as you crowd the 8200-rpm redline.

These animals both start with a ferocious howl thanks to their two-mode mufflers. The stirring garage voice, which confirms that your money was well-spent, lasts a few seconds until valves in the mufflers close to route exhaust through a quieter but more restrictive path. The jungle throats return on the road when an appropriate combination of rpm (high) and throttle setting (heavy) is met.

One of our most enjoyable experiences was serenading Italian tunnels with three distinct twelve-cylinder exhaust ensembles. The Aston's aria reflects fine breeding and professional voice training. A Ferrari 599 equipped with a sport exhaust system - the first of two cars we sampled - is capable of inflicting auditory pain on small animals miles away and is, we feel, too passionate for everyday use. (Ferrari doesn't offer it in America.) The standard Ferrari system is nicely subdued until its muffler valves snap open, at which time the raspy tenor solo is more entertaining than a front-row seat at the Met. The raspiness comes from unequal firing intervals, attributable to this engine's 65-degree V-angle.

Motoring out of Maranello with the red homeboy and his platinum playmate caused our hearts to swell with anticipation, but the moment we flicked left off the busy S12 main road on our way to Sestola, we knew we'd entered heaven's gate. It took no more than three bends for revelation number one to register: these heavyweights love attacking roads that wriggle. Both the Aston and the Ferrari shift from polished grand tourers to rat racers the instant lower gears, mashed throttles, and tighter steering angles are applied.

Any trepidation we had about whipping the right-hand-drive Aston down narrow back roads evaporated. Racing genes, baked into the DBS's soul by recent Le Mans GT1 achievements, are eager to serve. The steering is quick, tight, and so rich in road feel that the mere touch of tire to paint stripe sends a notice to your palms. Hints of understeer, registered during aggressive turn-in, melt away as soon as the throttle is engaged while exiting the corner. Quickly working the shifter between second and third became a natural act, even with the left arm in service. The only right-hand-drive handicap we noticed was a stunted dead pedal, the result of cramming the foot rest next to the transmission tunnel. That's what the Brits get for driving on the wrong side.

Although the DBS is the first roadgoing Aston Martin to benefit from carbon-ceramic technology, the brake system's linearity and predictability are beyond reproach. We dived in deep and braked late with no fear that these binders would put us at risk. The harder we leaned on them, the more forcefully they jettisoned unwanted momentum. There wasn't a trace of fade, and the middle pedal remained a trusted ally throughout our test.

If the DBS is the strapping male of this set, the Ferrari Fiorano leans toward the feminine side. Its steering and brake actions are both lighter to the touch. While the Aston's brakes are purely force sensitive, a common racing characteristic, the 599's stopping power is proportional to a blend of pedal pressure and travel. The difficulty of getting brake applications exactly right is eased by the lack of clutching responsibilities. Clicking a carbon-fiber paddle to downshift for a bend and upshift as the revs mount on exit is also notably easier than rowing a shifter, pumping a clutch pedal, and nudging the throttle. The minor gripe we have is that the paddles are attached to the column instead of to the steering wheel - in tight hairpins, your grip must be disrupted to click a shift.

Even though it's a few pounds heavier than the Aston, the Ferrari moves with a ballerina's agility. Turning toward an apex is more thought than effort. Gentle steering touches and subtle throttle adjustments tighten the cornering line on demand. Adding throttle when exiting a bend kills understeer without sliding the tail so wide that you have to add emergency opposite lock. The stability system always seems to vote in favor of more speed. The only item on our wish list is additional steering feedback to provide a more accurate impression of when the front tires are about to slide.

Shifting was optional in these sports cars, because both have the cubic inches and the flexibility to move you smartly without fretting over the tach reading. In the Ferrari, at least 90 percent of peak torque is available from 3300 to 8200 rpm. The Aston delivers 93 percent or more of its maximum shove between 3000 and 6700 rpm. Using both second and third gears shot us up the velocity register so rapidly that we began relying on third alone to moderate the speed and noise being inflicted on this normally peaceful part of Italy.

To gauge pace in a more clinical manner, we used an airstrip located on the opposite side of Maranello for instrumented testing. Exploiting an automatic launch-control system not available on U.S. models, the Ferrari bolted to 60 mph in 3.7 seconds without a whiff of wheel spin and through the quarter mile in 11.7 seconds. (The only quicker car that Automobile Magazine has tested is the much lighter Porsche Carrera GT.) With ample tire smoke available on demand, the Aston posted acceleration figures 0.6 second slower to 60 mph and exactly one second behind the Ferrari in the quarter mile. The pecking order was the same in braking. The sub-1.0-g cornering limits we measured were lower than we expected, because testing space was restricted and the surface available for the cornering procedure wasn't up to our normal standards.

Back on our road-race route, we homed in on each car's chassis rhythm. Aston uses Bilstein five-position adjustable dampers to maintain taut reflexes and to keep body motion under strict control. There's also a track mode with even firmer damping. Noordeloos and other journalists who attended the DBS's launch reported float over road swells, apparently prompting a revision to firmer normal-mode damper calibrations. Our gripe was not with the dampers but instead with the springs, which felt stiff enough for the Baja 1000. Traversing rippled pavement at high speeds induced annoying vertical oscillations that the dampers ignored.

Ferrari uses electronically controlled magnetic dampers that impressively handled the full range of road conditions we encountered. Ride motions were always supple, every wheel maintained a sure footing, and the suspension never crashed into its stops. In chassis tuning, the Ferrari reigns supreme.

The manettino switch, which lets you step through five different operating modes with coordinated adjustments to the stability control, shift speed, and damper action, is another Ferrari strength. While the middle Sport setting is perfect for dry-road entertainment, two additional steps in the conservative direction for slippery surfaces and two that offer wilder track-day behavior are laudable bragging points. That said, Noordeloos longed for the ability to speed up the shifts without altering the suspension's suppleness, a feature Ferrari incorporated in the 430 Scuderia.

Beyond the driver-controlled adjustments, each car changes character with speed in a distinctive way. The Aston maintains its stiff upper lip whether you're cruising or challenging your driving skills. Noordeloos aptly described it as half American muscle car, half racetrack refugee, with a dollop of polished aluminum, carbon fiber, and custom-tailored leather to round off the sharp edges. The Ferrari sweeps through broader emotional extremes - soft and sweet now, hard and fast when provoked - revealing the wild Italian temptress within. The amazing thing is how the 599GTB is able to embrace every situation with an astute blend of confidence and competence.

This time, Tazio Nuvolari came home second. The Aston Martin DBS put up a fierce fight, reinforcing our certainty that the current owners of this treasured brand are on a brilliant track to the future. But when the race ended at Porretta, it was the Ferrari 599GTB Fiorano that earned our bouquet for its remarkable combination of speed, poise, and versatility. Years of shrewd tuning and regular infusions of advanced technology have evolved the classic V-12 Ferrari into the best grand tourer big bucks can buy.

2009 VW Jetta Sportwagen - First Look

2009 VW Jetta Sportwagen - Five Speed Transmission - European Car Magazine

More than 50 years ago, Volkswagen introduced its Type II, aka the Microbus or Transporter. Originally billed as the Station Wagon in the United States, it was a roomy box of a vehicle loosely based on the Type I (Beetle) platform with one key difference: it could haul around a lot more people and stuff.

Since the introduction of that iconic vehicle, station wagons have remained an integral part of VW's range all the way up to now. Beginning in 1966, the design morphed from the original breadbox aesthetic into what we would more easily recognize as a station wagon, beginning with the Type III Squareback and continuing through to the modern Passat.

The original Jetta wagon, a more compact alternative to the midsize Passat, had its first run from 2001 to 2005. After a three-year hiatus, it's back in Mk V form as the new-for-'09 Jetta Sportwagen.

Three engine variants will be offered: the base 2.5-liter inline five-cylinder, a 2.0-liter turbo engine and-eventually-a 2.0-liter turbodiesel. At launch, the only powerplant available for testing was the 2.5L, which is a good piece of engineering-not particularly spectacular in any respect, but solid. While it'll never be billed as a top-end screamer, the 2.5L offers generous torque in the lower and middle ranges of the tachometer and totally adequate acceleration.

My first tester was a barebones, stripped down five-speed. But the drive didn't suck. Quite the contrary, I preferred driving the manual. The Jetta's shifter assembly is excellent, even on a lower-performance model, and much improved over previous generations. Driving the manual reminded me of how much I liked our 2.0T Jetta long-termer and made me eager to drive a Sportwagen with a 2.0 liter turbo motor at the other end of the reins.

Probably the most impressive thing about the car is the initial feeling of quality when sitting in it. It's true of Volkswagens in general, but particularly evident on a sparse model like the 2.5L five-speed. The high-quality plastics and the way everything fits just so are the main selling points. I have a hard time believing competing entry level offerings from the United States or Asia are constructed to this level.

Of course, you're not stuck on a bottom rung if you decide to buy a Jetta Sportwagen. It may be outfitted with an array of options, including a six-speed Tiptronic automatic transmission with Sport Mode, an eight-speaker Premium VII stereo, touchscreen nav, or a very cool panoramic glass sunroof that adds to the feeling of spaciousness within the cabin.

And the list of standard items is quite long, including the 'Eurotuned' suspension that offers a good compromise between comfort and poise during spirited driving; an auxiliary jack that allows an MP3 device to play through the stereo; roof rails to interface with an array of available accessory racks; six airbags and child-seat tiedowns for maximum occupant safety; three power outlets located throughout the interior; 60/40-split folding rear seats that provide up to 66.9 cubic feet of rear storage volume when folded down, and a fold-flat front passenger seat for that extra bit of space.

It will take a special type of buyer to get into one of these, but that's exactly what VW is banking on. This car was built specifically for that particular customer, as well as those looking to move from a compact SUV or crossover vehicle into something equally utilitarian, but much more nimble.

As for this magazine, we've already ordered one. You can bet we'll go into a lot more detail when we take delivery of our longterm Sportwagen TDI tester later this year.

2009 VW Jetta Sportwagen

*Layout
Transverse front engine, front wheel drive
*Engine
2.5-liter inline five, dohc, 20-valve
*Transmission
Five-speed manual; optional six-speed automatic
*Dimensions
Length/Width/Height (in.) 179.4/70.1/59.2
Wheelbase: 105 inches
Curb Weight: 3228 lb
*Performance
Peak Power: 170 hp @ 5700 rpm
Peak Torque: 177 lb-ft @ 4250 rpm
0-60 mph: 8.4 sec.
Top Speed: 127 mph (electronically limited)

*Price Tag
$19,000 (est.)H